Episode 16: Wanxin Zhang, Ceramic Sculptor

 

In this short video Sculpt­cast Con­ver­sa­tions presents Wanxin Zhang, a San Fran­cisco sculp­tor who was born in China and stud­ied at the LuXun Acad­emy of Fine Arts before emi­grat­ing to the U.S.  He’s best known for his some­times humor­ous, some­times polit­i­cal inter­pre­ta­tions of the famous ter­ra­cotta war­riors from the tomb of Qin Shi Huang, China’s first emperor. Zhang’s work is rep­re­sented in numer­ous pub­lic and pri­vate col­lec­tions both nation­ally and internationally.

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Episode 12: Bruce Wolfe, Figurative Sculptor

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Click for a bonus video show­ing Wolfe at work in his studio.

Bruce Wolfe’s sculp­ture career spans more than four decades.  He spe­cial­izes in fig­u­ra­tive por­traits and has ren­dered works of such notable pub­lic fig­ures as for­mer British Prime Min­is­ter Mar­garet Thatcher, the late U.S. rep­re­sen­ta­tive and civil rights activist Bar­bara Jor­dan, for­mer U.S. Sec­re­tary of State George Schultz, for­mer Supreme Court Chief Jus­tice William Rehn­quist and leg­endary boxer Muham­mad Ali.  For Thatcher’s statue, Wolfe trav­eled to Eng­land to sit with the the grande dame of British pol­i­tics and take pho­tos and measurements.

He stud­ied art at San Jose State Uni­ver­sity and the San Fran­cisco Art Insti­tute.  Start­ing his career as an art direc­tor for a big adver­tis­ing firm in San Fran­cisco, Wolfe even­tu­ally turned to illus­tra­tion and went out on his own.  One of his first sculp­ture com­mis­sions was of Kurt Adler, music direc­tor of the San Fran­cisco Opera.

Wolfe has sculpted works that con­vey the per­son­al­i­ties of may­ors, city founders, col­lege pres­i­dents,  major donors, col­lege coaches, notable ath­letes, an opera direc­tors, med­ical pio­neers, and reli­gious fig­ures.  They stand, they con­tem­plate, they sit, they observe in ways com­pletely char­ac­ter­is­tic to the per­son represented.

Four of Wolfe’s 7-foot bronze fig­ures can be found in niches of the his­toric chapel at the Old Mis­sion in Santa Bar­bara rep­re­sent­ing St. Clare, St. Fran­cis, Mary Mag­da­lene and Christ.  His 9-foot statue of bas­ket­ball great Magic John­son is located at Michi­gan State University.

For each of his fig­ures Wolfe researches exact dress and man­ner­isms, going so far as to col­lect cloth­ing, jew­elry and other items as well as vis­it­ing his subject’s home and work­place to ensure a wholly accu­rate pre­sen­ta­tion.  He starts work in clay, using the fin­ished piece to cre­ate the mold for a bronze pour, then com­plet­ing the project with a patina finish.

Men­tions:  Richard McDon­ald, Lamar Hunt, Mario Lemieux, Art­works Foundry, Gladding McBean, George Shultz, Nor­man Shumway, Edgar Odell Lovette, Frank Gehry, John Han­nah

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Episode 1: Clayton Bailey, Sculptor

Click the arrow below to hear Joe’s inter­view with Bailey.

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At the end of 2011 and early 2012, Clay­ton Bai­ley was hon­ored by the Crocker Art Museum in Sacra­mento, Calif., with a ret­ro­spec­tive show that cov­ered 50 years of his dis­tin­guished career as one of the country’s most inven­tive and humor­ous artists.  With tongue firmly in cheek, Bai­ley has tweaked the funny bone and social con­science of view­ers with his wildly imag­i­na­tive inven­tions.  Espe­cially known for his life-size robots, Bai­ley has built more than 100, most con­structed from found parts, includ­ing a robot cos­tume he used to wear to entice vis­i­tors to his “The Won­ders of the World Museum” in Port Costa, Calif.  The museum now fills his large home studio.

Bai­ley grew up in Wis­con­sin, where he earned under­grad­u­ate and grad­u­ate degrees in art and art edu­ca­tion at the Uni­ver­sity of Wis­con­sin.  He spent 32 years as a uni­ver­sity art pro­fes­sor, retir­ing from Cal­i­for­nia State Uni­ver­sity, East Bay, where he’s now a Pro­fes­sor Emer­i­tus of Ceramics.

His work is rep­re­sented in such col­lec­tions as the Los Ange­les County Museum of Art and the Smith­son­ian Insti­tu­tion, and has been shown through­out the U.S., at the Pom­pi­dou Cen­ter in Paris, in Bel­gium, Brazil and Greece.  Bai­ley is the recip­i­ent of numer­ous fel­low­ships and grants—two from the National Endow­ment for the Arts—and his own U.S. patent for a “nov­elty squirt­ing cup.”

Another Bai­ley distinction—his mous­tache, untouched by a razor for 34 years, stretches two feet from tip to tip when fully waxed.

To see more, visit Bailey’s web­site.

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